From the imagination of director Guillermo del Toro comes Universal Pictures’ gothic romance “Crimson Peak” starring Mia Wasikowska (“Alice in Wonderland”), two-time Academy Award® nominee Jessica Chastain (“Interstellar”), Tom Hiddleston (“Thor” series) and Charlie Hunnam (“Pacific Rim”).
In the film, when her heart is stolen by a seductive stranger, a young woman is swept away to a house atop a mountain of blood-red clay: a place ﬁlled with secrets that will haunt her forever. Between desire and darkness, between mystery and madness, lies the truth behind the place called Crimson Peak. Here, they will discover the power that love has to make monsters of us all.
As the writer and director of such modern classics as “The Devil’s Backbone” and “Pan’s Labyrinth” and the producer of such terrifying thrillers as “The Orphanage” and “Mama,” del Toro delivers a unique blend of psychological terror and operatic beauty that has propelled horror into the elevated realm of dark fairytales.
With his new film, this powerful force of imagination makes a grand return to the genre he helped define. Here, del Toro creates an elevated romance with a level of cinematic artistry that harkens back to the genre’s greatest triumphs, while delivering spectacular visuals, rich characters, emotive performances, and a story that grips you to the bitter end.
Set in the year 1901, “Crimson Peak” is given a stylized, contemporary gothic feel through del Toro’s mesmeric visual style. Audiences will be swept away to a terrifying destination like no other, where the snow bleeds red and every corner hides a phantom that will linger in the mind long after the film is over.
The filmmaker explains the premise of his latest effort in five simple words: “Humans are the real horror.”
“Crimson Peak” explores the haunting theme that love is indeed a tender trap. Just as the events of “Pan’s Labyrinth” could be questioned by audiences as the product of a young girl’s limitless fantasy, “Crimson Peak” plays with our perceptions of what is truth and what is fiction. As Edith is a burgeoning writer with a vivid imagination, could the terrifying events all be springing forth from her mind?
Reflecting upon this project’s influences, del Toro shares: “Crimson Peak is the ghost-story equivalent of `Pan’s Labyrinth.’ It has the combination of several genres, and the fact that we are packing the punch of a traditional ghost story with the class and beauty of a classic.”
For del Toro, material exploring this genre can have ghosts and crumbling castles and “it can have the trappings of a horror film” but intricately seeded is a classical love story in which a central “virginal character who is discovering a secret, a treasure, a dark past…emerges somewhat transformed.” And in spite of the dark turns the love story takes, the budding romance between Thomas and Edith has a lyrical quality. Still, if love is a form of madness, all of the key players in their story fall victim to it.
“Crimson Peak” is, according to del Toro, “the darkest of fairytales,” and the classic recipe includes a character on a journey to adulthood. “You can find it in ‘Alice in Wonderland’ or in ‘The Snow Queen,’ in works by Oscar Wilde or Hans Christian Andersen,” he says. The story involves finding independence; the rite of passage takes the character on a “journey through darkness… through geographical space, across the oceans, into the underworld.”
What attracts del Toro to bring terror into his work is “using ghosts to eliminate human antidotes, to illuminate the story in a human way.” He took the classic gothic romance and infused it further with his imaginative approach by building a unique haunted mansion that became the mortar of the mystery. Here, fear lives within the walls.
“Crimson Peak” opens across the Philippines on October 14 and is distributed by United International Pictures through Columbia Pictures.